Showing posts with label Art Events. Show all posts
Showing posts with label Art Events. Show all posts

Nobility and Virtue

Thanks to DL for forwarding me this information! For all you art nerds, there will be a series of lectures from January to April about Ming and early Qing Dynasty artwork at the Hong Kong Museum of Art in conjunction with the Nobility and Virtue exhibit.

Well, I, for one, am very excited because I love going to lectures. This may surprise some of you, but despite almost failing out of high school (I was troubled back then), I ended up being a Dean's List student in university. I was pretty snotty and obnoxious to my fellow classmates, though, but my professors generally loved me.

Anyway, here's the schedule and after that, some outfit pictures to vindicate myself from the dowdy mukluk disaster!


Date: January 22
Time: 2pm - 3:30pm
Subject: A Case Study of Genre Painting in the Ming and Qing Dynasties - A Comparison of the Three Versions of “Along the River during the Qingming Festival” (Putonghua)
Speaker: Mr Yu Hui (Research Fellow Director of the Research Department, The Palace Museum)

Date: February 12
Time: 2pm - 3:30pm
Subject: The Brush Strokes of Bada Shanren (Putonghua)
Speaker: Professor Ren Daobin (Professor of the International College of China Academy of Art)
Time: 4pm - 5:30pm
Subject: The Influence of Huang Gongwang on Ming and Qing Painting (Putonghua)
Speaker: Mr Ho Chuan-hsing (Chief Curator of the Department of Painting and Calligraphy, National Palace Museum in Taipei)

Date: February 26
Time: 2pm - 4pm
Subject: Late Ming and Early Qing Painting in Relation to the Social Changes (Putonghua)
Speaker: Mr Wang Yao-ting (former Chief Curator of the Department of Painting and Calligraphy, National Palace Museum in Taipei)

Date: March 5
Time: 2pm - 3:30pm
Subject: When is a Copy not a Copy? The Aesthetics of Wit in Ming and Qing Painting (English)
Speaker: Dr Koon Yee-wan (Assistant Professor of the Department of Fine Arts, The University of Hong Kong)
Time: 4pm - 5:30pm
Subject: A Study of the Late Ming and Early Qing Painting and Calligraphy from the Chih Lo Lou Collection (Putonghua)
Speaker: Mr Ling Li-zhong (Associate Professor of the Chinese Painting and Calligraphy Department, Shanghai Museum)

Date: March 12
Time: 2pm - 3:30pm
Subject: Chinese Garden in Ming Painting: A Case Study of Zhouzheng Yuan and its Depictions by Wen Zhengming (English)
Speaker: Ms Jan Stuart (Keeper of the Department of Asia, The British Museum)
Time: 4pm - 5:30pm
Subject: The Art of Lan Yang’s Painting (Putonghua)
Speaker: Mr Minoru Nisigami (Senior Researcher of the Department of Fine Arts, Kyoto National Museum)

Date: March 26
Time: 2pm - 3:30pm
Subject: Grand Tour and Paintings of Famous Mountains during the mid-Ming Period (Putonghua)
Speaker: Professor Flora Fu Li-tsui (Associate Professor of the Division of Humanities, The Hong Kong University of Science and Technology)
Time: 4pm - 5:30pm
Subject: Sesshu and the Painting of the Ming Dynasty (Putonghua)
Speaker: Professor Masaaki Itakura (Associate Professor of The Institute for Advanced Studies on Asia, The University of Tokyo)

Date: April 2
Time: 2pm - 3:30pm
Subject: The Universal in the Particular: The Life of Late Ming and Early Qing Painters Revealed through the Painting by Xiao Yuncong in the Chih Lo Lou Collection (Cantonese)
Speaker: Mr Szeto Yuen-kit (Curator of the Xubaizhai Unit, Hong Kong Museum of Art)
Time: 4pm - 5:30pm
Subject: A Review of the Painting and Calligraphy by Ming Loyalists in the Chih Lo Lou Collection (Putonghua)
Speaker: Professor Wan Qingli (Director of the Academy of Visual Arts, Hong Kong Baptist University)

Date: April 9
Time: 2pm - 4pm
Subject: Fantastic Mountains in Chinese Landscape Painting (Putonghua)
Speaker: Dr Liu Yang (Senior Curator of Chinese Art, Art Gallery of New South Wales)

Date: April 23
Time: 2pm - 4pm
Subject: The German Collection of Ming and Qing Chinese Painting (Putonghua)
Speaker: Professor Klaas Ruitenbeek (Director of the Museum für Asiatische Kunst)

These lectures will be held in the Lecture Hall of the Hong Kong Museum of Art. Admission is free and 150 seats are available on a first-come, first-served basis.

The Museum of Art is located at 10 Salisbury Road, Tsim Sha Tsui, Kowloon. For enquiries, please call 2721 0116 or visit Museum of Art’s website: http://hk.art.museum.


Alright, time to vindicate myself! I know I tend to run the risk of looking crazy sometimes with the things I wear, but I don't really mind. If I like it, I'll wear it. However, it can get difficult getting my wardrobe work-appropriate. I think I own too many things that are too short, tight or reveal my tattoos. It's much easier during winter, when I can just layer on more clothes.

I had to go in for my part-time job today, and fortunately, it was only 9 degrees Celcius. How lovely!  I got to wear my mother's fabulous high-waisted leopard and roses print (soooo hair metal, isn't it?) trousers from the 1980s. I'm so glad she kept most of her clothes because I don't really need to shop much. I just raid her wardrobe and steal her stuff. I wore it with a slashed and transparent wifebeater I got from this amazing ghetto mall in Kwai Fong (will definitely write an entry about that place) and a red adidas jacket from Korea that my beloved friend, B, gave me. She's visiting from Korea on Saturday, so there will be more pictures of food coming! And I topped it off with my Gucci jacket turned inside out.


I also wore my Moussy boots. Moussy is a really great brand from Japan, and they have a shop here in Tsim Sha Tsui. I was going to write an entry about their Causeway Bay branch because the sales chicks there are really great, but that shop closed down. I haven't been to the Tsim Sha Tsui branch yet. I think it's in Harbour City, though. These shoes are so amazing, do you see the straps? If I remove them, I can pull the boots to go up almost to my knees. As you can tell, I love convertible, dual-function items. Whenever I smith jewellery, I always think of how I can make it dual-function, as well.

I usually dislike tucking my trousers into my boots, but I wanted to go whole hog 1980s.



If the weather had been a little warmer, though, I would have eschewed the fur coat and adidas jacket for my mother's 1980s byblos blazer. Isn't it just lovely? Those shoulder pads! I have square shoulders already, so I look pretty intimidating in this blazer. I'm wearing a Giordano tank top underneath the slashed shirt, by the way. The red belt is from the ghetto Kwai Fong mall. It only cost HKD10!

And if the weather were even warmer, I would have just worn this fur shrug. It's actually a fur collar from H&M that I refurbished with leather strings so I could tie it like this.

Fotanian 10th Anniversary

How time flies! It's going to be time for the next round of the Fotanian, and it's their 10th anniversary. If you're in Hong Kong for the Fotanian, I strongly suggest going! Seriously, I wish people would stop thinking of Hong Kong as a mall and try to appreciate the cool stuff that's here.

Here's some information from the Fotanian Web site:

在工廈被宣告已淡出香港歷史舞台,被政策強勢「活化」之際,自2001年起舉辦的「伙炭」藝術村開放日起已踏入第一個十年。今年將以「伙炭十年」為主題,舉行盛大的藝術工作室開放日,參與藝術家及工作室更是歷來最多,來自70多個工作室的藝術家背境各異,除一眾本地視覺藝術家外,今年更有不同國籍、更多的藝術形式聚首於火炭,標誌這重要的里程碑。
Despite claims of the fall of industrial estates, Fotanians celebrate the 10th anniversary of the Fotanian: Open studio event. Accordingly, the theme this year is “Ten Years of Fotanian”. The number of studios and artists involved has hit a record high this year and there will be plenty of exhilarating cultural events throughout the year. The Fotanian community has developed from a handful of art studios to a community of 70+ studios ran by artists of all disciplines, not to mention the international artists who have been attracted by this unique community and decided to settle here. Ten years ago, the open studio event did not receive much public attention, but it has grown and flourished - it has now become the highlight of the city’s cultural calendar, with the number of visitors increasing every year.

日期 Date:8,9,15,16/01
時間 Time:2:00pm~7:00pm
參與工作室 Participating Studios:75
參與藝術家 Participating Artists:260